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| Name | Kelly Hu |
|---|---|
| Telephone number | 02-7749-5422 |
| Fax | 02-2358-3414 |
| kellyhu13@ntnu.edu.tw | |
| Educational qualification | Ph. D. in Cultural Studies & Sociology, the University of Birmingham |
| Category | Full-Time Faculty |
|---|---|
| Job title | Associate Professor |
| Research expertise | Internet Culture and Internet Community, Cultural Economy, Media, Globalization and Cultural Geography, Fan Studies |
Note: The following information may show the name of the Web page owner only.
- Journal papers
- Hu, Kelly (2014) “Competition and collaboration: Chinese video websites,Subtitle groups,state regulation and market”, International Journal of Cultural Studies 17(5): 437-451.。
- Hu, Kelly (2013) Book review on Shishang Zhi (Trends Factory: A Visual Ethnography), by Eric K.W. Ma, Shanghai, Fudan University Press, 2012. Chinese Journal of Communication 6(1): 120-122.。
- 胡綺珍(2009/10)。中國字幕組與新自由主義的工作倫理。新聞學研究(101)。
- 胡綺珍(2008/03)。Made in China: the cultural logic of OEMs and the manufacture of low-cost technology。Inter-Asia Cultural Studies，9(1)。
- 胡綺珍(2005/01)。The power of circulation: digital technologies and the online Chinese fans of Japanese TV drama。Inter-Asia Cultural Studies，6(2)。
- 胡綺珍(2003/07)。VCD世代或失落世代? 香港VCD現象的矛盾性〉，(張秀敏譯)。傳播與管理研究，3(1)。
- 胡綺珍(1998/12)。Red robbins in Asia: The stories of red robbins。JumpCut: A Review of Contemporary Media，42。
- Conference papers
- 胡綺珍(2013/07/13-2013/07/14)。Presenting everyday life, the exotic, and transnational romance on social media: The networks of Taiwanese women living in Japan and Korea。Cultural Typhoon 2013，Tokyo。
- 胡綺珍(2012/07/14-0000/00/00)。“Chinese video websites as platforms of globalization:onlinegrassroots network, market competition and state intervention”,。cultural typhoon，Hiroshima, Japan.。
- 胡綺珍(2012/06/21-2012/06/22)。“Chinese video websites as sites of globalization: from grassroots online circulation to legitimate commercialization and state intervention”。Social Media and Cross-border Cultural Transmissions:Technologies, Policies, Industries,，Singapore。
- 胡綺珍(2010/06/17-2010/06/21)。The postcolonial encounters between Taiwan and Japan through popular culture: confessions in Ainori and Cape No. 7。ACS 2010 Crossroads in Hong Kong，Hong Kong。
- 胡綺珍(2009/07/03-2009/07/05)。Chinese fansub groups and the neoliberal work ethics。Inter-Asia Cultural Typhoon 2009，Tokyo。
- Research projects
- 胡綺珍(2013/08/01-2015/07/31)。中日友好與跨國想像:名人、政治、與流行文化的市場。國科會。(102-2410-H-003 -032 -MY2)。總主持人。
- 胡綺珍(2011/08/01-2013/07/31)。部落格書寫與跨國文化流動:重新思考全球化、東亞與網際網路脈絡下台灣的「哈日」實踐。國科會。(100-2410-H-003-069-MY2)。總主持人。
- 胡綺珍(2009/08/01-2012/01/31)。沒有免費的禮物：網路上傳/下載與視頻網站的文化經濟。國科會。(98-2410-H-003-062-MY2)。總主持人。
- 胡綺珍(2008/08/01-2009/07/31)。從新自由主義式的工作倫理中學習：迷字幕製作的勞動與工作。國科會。(97-2410-H-003-137-)。總主持人。
- 胡綺珍(2006/08/01-2007/07/31)。非/反資本主義的共有數位生產與消費:探索中國的BT現象。國科會。(95-2412-H-194-009-)。總主持人。
- 胡綺珍(2005/08/01-2006/07/31)。告白、情感與科技：日本實境電視綜藝節目的生產、再現與在地/跨國(日本/台灣)消費。國科會。(94-2412-H-194-015-)。
- 胡綺珍(2004/08/01-2005/07/31)。日本實境綜藝節目裡的個人化與傳記。國科會。(93-2412-H-194-016-)。總主持人。
- 胡綺珍(2003/08/01-2004/07/31)。日本電視與華人影迷的跨文化生產：反思性與自我敘事的重要性。國科會。(92-2412-H-194-011-)。總主持人。
- Book Chapters
- 胡綺珍(2016-12)。Between informal and formal cultural economy: Chinese subtitle groups and flexible accumulation in the age of online viewing。Routledge Handbook of East Asian Popular Culture。UK：Routledge。
- Hu, Kelly (2012) “Chinese subtitle groups and the neoliberal work ethics”, in Nissim Otmazgin and Eyal Ben-Ari (eds.) Popular Culture Collaborations and Co-productions in East and Southeast Asia, NUS Press.。
- Hu, Kelly (2010) “Can’t live without happiness: reflexivity and Japanese TV drama”, in Mitsuhiro Yoshimoto, Jungbong Choi and Eva Tsai (eds.) Television, Japan and Globalization, University of Michigan Press.。
- ケリー・フー（2009）〈流通のパワーデジタル技術と日本製テレビドラマの中国人オンライン・ファン〉，岩渕功一編《放送メディア研究》(6)：139-172。東京：NHK。
- 胡綺珍(2009-1)。The power of circulation: digital technologies and the online Chinese fans of Japanese TV drama(英文原稿被翻譯成日文，有小幅修正)。Studies of Broadcasting and Media。Japan：Tokyo: NHK。
- Hu, Kelly (2008) “Discovering Japanese TV drama through online Chinese fans: narrative reflexivity, implicit therapy, and the question of the social imaginary”, in Youna Kim (ed.) Media Consumption and Everyday Life in Asia, London: Routledge.。
- Hu, Kelly (2007) “The power of circulation: digital technologies and the online Chinese fans of Japanese TV drama”, in Beng-Huat Chua and Kuan-Hsing Chen (eds), Inter-Asia Cultural Studies Reader, London: Routledge.。
- Hu, Kelly (2005) “Techno-Orientalization: the Asian VCD Experience”, in John Erni and Chua Siew Keng (eds), Asian Media Studies: Politics of Subjectivities, Oxford: Blackwell Publishers.。
- Hu, Kelly (2004) “Chinese re-makings of pirated VCDs of Japanese TV dramas”, in Koichi Iwabuchi (ed.), Feeling “Asian” Modernities: Transnational Consumption of Japanese TV Dramas, Hong Kong University Press.。
- ケリー・フー (2003)〈再創造される日本のテレビドラマ：中国語圏における海賊版VCD〉，岩渕功一編《 グローバル・プリズム》，日本：株式平凡社。
